Post-Game Analysis: Senior Cole Wilson on Dr. Chris Newfield and the Future of Higher Education
Last month, Dr. Chris Newfield came to UT to deliver a lecture as part of the department's "History and Future of Higher Education" class, team taught with Rich Reddick in Educational Administration and Kate Catterall in Design. This experimental, multidisciplinary, collaborative course has addressed pressing problems and issues in higher education over the course of this semester. For more information about the course, you can listen to this interview with the three professors on KOOP radio.Senior Cole Wilson offers this tremendous write-up of the event, which emphasized the troubling relationship between privatization and higher education.
Dr. Christopher Newfield came to the University of Texas as a guest of the American Studies Department and of the course instructors behind the History and Future of Higher Education class. His work in the critical university studies field spiked the interest of Dr. Julia Mickenberg, Dr. Richard Reddick, and Dr. Kate Catterall who jointly invited Dr. Newfield to discuss his upcoming book, The Great Mistake: How Private Sector Models Wreck Universities - and How We Can Reconstruct Them. Dr. Newfield is currently a professor of literature and American Studies at The University of California at Santa Barbra where he has worked closely with the school’s budgetary and planning committees respectively.Dr. Newfield’s lecture focused on four major issues in higher education: the continued need for more funding in public universities today, the prioritization of STEM fields over the liberal arts, fine arts, and natural sciences, the newfound notion that Bachelors Degrees are a private good, and the privatization of industry-university partnerships. He proceeded to elaborate on these issues, arguing that universities have begun to embrace a market based model where costs rise continuously, causing student debt to rise in cadence. This has pinned a hefty price tag on the contemporary Bachelor’s Degree, turning it into a perceived private good and marginalizing innovation due to cost.He went on to argue that the partnerships between private corporations and universities that are forged in a relationship where research exits the university through the private sector and produces income from patented ideas do not give back to the research producing university. He stated that this broken relationship has forced price increases across universities as impotence is continuously placed on costly research in the STEM fields with no substantial income to match the financial output.In a conversation later that evening, I pressed Dr. Newfield on the possibility of philanthropic donations as an income bridge between the two worlds. He argued that reliance on philanthropic donations typically demands yet more income from the school, that simply “money attracts money.”While Dr. Newfield did not believe philanthropic donations to be a valid cure to what he called “cost disease,” he argued that a revolution in the classroom and a counter to the STEM field would. Tailored or “personalized” instruction would halt marginalized innovation caused by cost increases. He countered STEM’s dominance by suggesting collaboration across disciplines in the class room advocating for the construction of hybrid classes much like the Future and History of Higher Education.Opposed to a reliance of donations as I suggested, Dr. Newfield argued that the injection of non-commercialized technology into all aspects of a university, especially the liberal arts, social sciences, and natural sciences would bolster innovation and result in greater income equality within the university.Finally, Dr. Newfield countered the notion that a Bachelors Degree is a private good by charging the owners of those degrees with the duty of explaining and expressing the societal value of their degrees whenever applicable. In short, Dr. Newfield demands a culture change led by those with degrees.For a complete taping of Dr. Newfield presentation, visit the Texas Learning Sciences’ Vimeo page here. Look out for his next book coming out later this year, or check out some his previous works like Unmaking the Public University: The Forty-year Assault on the Middle Class.
Undergrad Research: A Recap of the 5th Annual Honors Thesis Symposium
Today, we share with you this fantastic recap of last week's Senior Honors Thesis Symposium, where three of our stellar seniors shared findings from their undergraduate theses. Rebecca Bielamowicz, also a senior and Dean's Distinguished Graduate Honorable Mention, shares with us her take on the event. Enjoy!
Max Mills, “In the Belly of the Cotton Kingdom: An Investigation of School Desegregation in Waxahachie, Texas”Supervisor – Dr. Mark Smith2nd Reader – Dr. Steven MarshallSenior Max Mills conducted his yearlong project on the process of school desegregation in his hometown of Waxahachie, Texas, a community approximately 30 miles south of Dallas. Waxahachie, though no Little Rock, still resisted school desegregation through their adoption of piecemeal, halfhearted policies that did not guarantee full integration with “all deliberate speed.” It was not until 1970 that the Waxahachie Independent School District adopted district-wide desegregation policies and built a new high school that both whites and blacks could attend, and it was not until 1972, a full 18 years after the passage of Brown V. Board of Education of Topeka, that the district was deemed sufficiently integrated by visiting federal agents.Citing a lack of a comprehensive history of the desegregation process in WISD as the motivation for his project, Max went to work. To document this process, Max investigated old Waxahachie yearbooks, city council minutes, and conducted interviews with black and white students who had experienced the desegregation process firsthand. Yearbooks were visual proof of the ludicrousness of “separate but equal:” bathrooms and classrooms for black students, when compared side by side to their counterparts at the white high school, were pathetically dilapidated. The city council minutes demonstrated the extent of city officials’ foot dragging when policies to desegregate schools were perpetually tabled. Finally, interviews with former students yielded a range of different realities experienced under different district policies: Ira Gay, Jr., attended the white high school under the district’s 1965 Freedom of Choice Plan, which allowed Waxahachie students, both black and white, to attend whatever school they wanted to. He was the only black student at the white high school and said his presence caused little resistance. Conversely, Jackie Mims was forced to attend the white high school in 1968 after federal agents demanded that the district integrate their 10th, 11th, and 12th grades or face dissolution. “It wasn’t our school,” she said, and noted the violent fights that occurred often between white and black students. Interestingly, all white former students who Max interviewed asked that they remain anonymous and said they were “fine with integration” and argued that teacher resistance that was the real problem.While memories of this process may differ, it’s hard to argue with today’s reality: as of 2010, 28 percent of black families in Waxahachie lived below the poverty line compared to 3.5 percent of non-Hispanic white families. Education promises equal opportunities for all, but it’s falling short. Max closed by stating the importance that lies in confronting Waxahachie’s history: although it is painful, it is necessary to do so in order to move forward. Molly Mandell, “DIY Cuba”Supervisor: Dr. Randy Lewis2nd Reader – Dr. Steven HoelscherSenior AMS major and journalism minor Molly Mandell was able to put both of her degrees to use in her thesis project. Motivated by the sparse or inaccurate coverage Cuba has received throughout her lifetime and more recently since Cuban-U.S. relations have been on the mend, she took four trips and spent over three months collecting data in the country. While most coverage reinforces stereotypical understandings of Cuban life in the American imagination, such as antique cars, cigars, and beaches, her goal was to document what Cuban life was really like. Her initial focus was to photograph and interview farmers who were practicing sustainable, pesticide-free farming, but once she spent more time in the country, she realized that do-it-yourself or “maker” culture was flourishing seemingly everywhere in Cuban life.When she asked Cuban linguistic graduate students why there wasn’t a word or phrase in Cuban Spanish to describe this “do it yourself” culture, they said it was because it wasn’t novel, but it was just their way of life. Although Molly’s project focused on Cuba, her findings shed an illuminating light on American culture. When she returned to the United States, she experienced what she called reverse culture shock: in the United States, more and bigger is always better, and something that would never have been thrown away in Cuba would probably be tossed out here without so much as a second thought. Informed by these observations, she makes the distinction between lifestyle DIY and essential DIY. Lifestyle DIY is often practiced by upper-middle class consumers and facilitated by products like Make magazine or websites like Pinterest. In contrast, Cubans practiced what she calls essential DIY, which, although it can be a deeply fulfilling and enjoyable practice, stemmed from economic necessity and a lack of other resources.Through stunning photographs and tidbits from interviews, Molly told us of the people she met and the projects they were working on. One jack-of-all-trades English tutor, German tutor, and seamstress, sewed on her great, great grandmother’s sewing machine. Although she sewed, she admitted that her real passion was knitting and crocheting. She shared with Molly a picture of herself proudly wearing her first crocheted dress she created at 16. White and full length, it took her three months to complete. We also heard about Damian, who wandered the streets of Havana searching for materials from old paint cans, cars, or refrigerators that he could use to make his artwork because art supplies are difficult, if not impossible, to find in Cuba. He had plans to renovate an old factory to turn it into a space where he and other artists could work. Navis biked 25 kilometers each way to earn a business degree from the university. When she saw that there was a dearth of bike shops, she used her degree and knowledge of bikes to open one.The profiles Molly conducted were genuine, detailed documents of contemporary Cuban life that have gone untold by American reporters, and she plans to turn this project into a full-fledged e-book in the near future. Liz Garlow, “Manifesting Outward: A Prosopography of the Feminist Spirituality Movement in Central Texas”Supervisor: Dr. Jeffrey Meikle2nd Reader: Dr. Martha SelbyAMS senior Liz Garlow conducted a prosopography, or the study of a historical group, on three feminist spirituality groups in Austin and its immediate surrounding counties. The feminist spirituality movement, or FSM, is a form of cultural feminism that emerged out of the second-wave feminist movement of the 1960s. FSM is pluralistic faith practice that is informed by neo-paganism, lesbian separatism, Jewish and Christian feminism, New Age, and Native American spiritualities. Founders of the FSM were unsatisfied by the patriarchal and oppressive religions they had access to, so they left to create their own. The religion does not have one holy book, one leader, or one headquarters, but encourages women to do what it is that works best for them, and many identify as Wiccans. Ultimately, FSM is a political and spiritual movement that aims to transform the lives of the women involved.Although the FSM has only been found in the English-speaking world, it is not endemic to Austin. While conducting research, Liz realized that histories of the FSM existed only about the West Coast and communities in Madison, Wisconsin. This lack of a comprehensive history of the movement in Central Texas motivated her research. She conducted interviews with the founders of three FSM organizations in the area: The Reformed Congregation of the Goddess – RCG 1st Austin Circle, Tejas Web, and the Unitarian Universalist Women’s Spirituality Group. The women she interviewed all strongly identified as feminists and were in their late 50s and early 60s. These organizations started popping up around Austin in the early 1980s, but their existence was not well documented through pictures or other media. However, they are still active today, although the age of its members tends to be older.Understanding the role religion has played in shaping American life is an important domain to investigate, and Liz’s work is an important contribution. She ended her presentation with a thought-provoking excerpt from one of her interviews with a founder: “What does it say about a culture whose religious icon is a dead man on a cross, tortured, naked, and bleeding, compared to a culture where the central religious icon is a woman on a throne giving birth? What are that culture’s values, what are that culture’s attitudes, and what kind of institutions would that culture produce?” She leaves it to us to answer these questions.All photos by Dr. Steve Hoelscher.
Announcement: AMS Honors Symposium
Please join us the FRIDAY, April 22nd, 4:00-6:00 PM in Burdine 436A for the 5th annual AMS Honors Symposium. The evening will feature presentations by three AMS undergrads:
Liz Garlow:"Manifesting Outward: A Prosopography of the Feminist Spirituality Movement in Central Texas" explores the creation of a women's pagan community in Austin through interviews with founding members of various congregations and practices. Celebrating pluralism and inspired by the 1970s Women's Liberation Movement, a generation of Texas women rejected mainstream faiths to create a religion and a community of which they wanted to be a part.
Molly Mandell:My research in Cuba examines DIY culture, spawned by a lack of resources, on the island. Over four trips, I sought out and photographed Cuban “makers,” from taxi drivers who have kept their 1950s American cars in working condition with a slew of substitute parts to people using USBs to create a network of media and information sharing in lieu of the Internet. DIY culture amongst the Cuban people is much larger than pastimes or Pinterest projects; it is a way of life and a testament to the Cuban people’s resilience, self-reliance, and creativity. For my thesis, I am creating a photo book to published both digitally and physically. My hope is that by documenting DIY culture in Cuba, I am able to provide a more comprehensive understanding of modern, everyday Cuban life. As the United States and Cuba work towards restoring relations, there has been a flurry of media attention that continues to either demonize or romanticize the island 90 miles south of Florida. Ultimately, my goal is to provide an authentic glimpse into the lives of Cuban people. (Please note: Molly's work will take the form of a prepared 15-minute Powerpoint because she is in Copenhagen this semester.)
Max Mills:My project is an investigation of the integration process of the Waxahachie Independent School District, a process that took roughly eighteen years after Brown v. Board was decided. With the use of public records such as school board minutes and community member interviews, a compelling narrative reveals the lengths to which a small Texas town went to maintain white supremacy. The project is also an attempt at preserving this history; as of this moment, there is no comprehensive history that details the desegregation process of Waxahachie ISD.
We hope to see you there!
Grad Research: Ph.D. students Kerry Knerr and Elissa Underwood inaugural recipients of Les Dames D'Escoffier, Dallas Chapter Endowed Presidential Fellowships in American Studies
A hearty congratulations to Ph.D. students Kerry Knerr and Elissa Underwood, who have been named the 2016 recipients of the Les Dames D'Escoffier, Dallas Chapter Endowed Presidential Fellowships in American Studies. Les Dames D'Escoffier of Dallas have offered their generous support of American Studies graduate scholarship at UT on topics relating to food studies.Kerry Knerr's project, “Cocktails, Class, and Conspicuous Consumption in the Progressive Era U.S.," examines the early history of the American cocktail and its entanglement with American cultural imperialism. The project will build upon her master’s report, “In Search of a Good Drink: Punches, Cocktails, and Imperial Consumption,” currently under review at Global Food History. In it Kerry argues that understanding the material aspects of alcohol consumption (what people are doing), through close readings of recipe collections and material cultures of public and home bars, can ground otherwise nebulous discourses (what people are saying) of social movements, gender politics, or class formation. Kerry will conduct research at the National Food and Beverage Foundation in New Orleans, which houses both the Southern Food and Beverage Museum and the Museum of the American Cocktail. There she will analyze menus, published cookbooks or bar manuals, private recipe collections, newspaper clippings, and photographs.Elissa Underwood's project, "Women and Food in Carceral Spaces," will explore women’s understandings of and experiences with food and foodways, including specific nutritional needs and distinct relationships with food, during and after incarceration by conducting oral histories with formerly incarcerated women in Texas. Elissa will interview women working and learning or perfecting skills in food-based industries, as well as women who have started their own food-based companies or non-profit organizations specifically aimed at combating recidivism and/or preventing incarceration.The winners were announced at this year's Foodways Texas conference, an organization now housed in the Department of American Studies. For more on the conference, check out this very in-depth, fascinating recap of the weekend of festivities.