Alumni Voices Holly Genovese Alumni Voices Holly Genovese

Alumni Voices: Recent Ph.D. Ellen Cunningham-Kruppa named Associate Director and Head of the Preservation and Conservation Division of the Harry Ransom Center

timthumbHuge, huge, huge congratulations are in order for Dr. Ellen Cunningham-Kruppa, who was named Associate Director and Head of the Preservation and Conservation Division of the Harry Ransom Center. Ellen received her Ph.D. from the department in Spring 2015.An excerpt of the announcement on the Ransom Center's blog, which can be read in full here:

The Ransom Center announces the appointment of Ellen Cunningham-Kruppa as Associate Director and Head of the Preservation and Conservation Division. Cunningham-Kruppa, who begins her service on October 1, will oversee the preservation, care and protection of the Ransom Center’s collections and will provide strategic direction for future preservation and conservation initiatives.Since its inception in 1980 the Ransom Center’s conservation department has been charged with the care of the Center’s collections including maintaining an optimum preservation environment, overseeing preservation housings, conservation treatment and educating and training more than 80 future conservators.“I am honored and humbled to be entrusted with the care of the Ransom Center’s spectacular collections,” said Cunningham-Kruppa. “It is a dream to have the opportunity to work with the Center’s conservators and curators to envision an exciting agenda of projects and initiatives for the coming months and years.”

We're so proud of you and happy for you, Ellen!

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Undergraduate Research: Andrea Gustavson on teaching undergraduates at the Harry Ransom Center

We love it when we can draw your attention to the awesome teaching our grad students do and the exciting research our undergraduates do. Today, we'd like to point you toward the Harry Ransom Center's newsletter, Ransom Edition, where our very own Andrea Gustavson talks about her work teaching undergraduates in the archive. AG1AG2Here's a taste of Gustavson's article:

In the fall, I taught a class called "American Images: Photography, Literature, Archive" that made extensive use of the collections at the Ransom Center. Each week, the students and I explored the intersections between photography, literature, and archival theory using the Center's primary materials as the foundation for our discussions. On Mondays and Wednesdays we met to discuss the week's reading, closely reading passages or images and making connections to contemporary events. On Fridays the students had the opportunity to view rare manuscripts and photographs that illustrated, extended, and even challenged many of the concepts we had discussed earlier in the week. Over the course of the semester, the students worked within a variety of written genres as they built toward a final project for which they conducted their own original research.

Check out the full article here.Gustavson is a PhD candidate in American Studies here at UT and she worked as a graduate intern in Public Services and as a Graduate Research Assistant at the Ransom Center in 2010–2014.

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Faculty and Grad Research: Dr. Steve Hoelscher and Andi Gustavson on the Magnum Archive

Today we bring you a lovely piece hosted on the UT History Department's Not Even Past website: Dr. Steve Hoelscher and Ph.D. candidate Andi Gustavson have teamed up to bring you this piece on the Magnum archive of photography. We've reprinted an excerpt below; take a look at the full article here.

Like the print itself, the collection of photographs to which it belongs is now also retired—at least from its previous occupation of carrying the image it bears to publishing venues. Davidson’s print came out of retirement in the summer of 2010—or, more accurately, it took on a new life—when the Magnum Photo New York Print Library was opened for research at the Harry Ransom Center, a research library and museum at the University of Texas at Austin. The Magnum Photos collection, as it is now known, is comprised of some 1,300 boxes containing more than 200,000 press prints and exhibition photographs by some of the twentieth century’s most famous photographers. Once Magnum began using digital distribution methods for its photographs, the function of press prints as vehicles for conveying the image became obsolete and these photographs became significant solely as objects for both monetary and historic value.Magnum’s visual archive is a vast, living chronicle of the people, places, and events of the twentieth and twenty-first centuries. Images of cultural icons, from James Dean and Marilyn Monroe,to Gandhi and Castro, coexist in the Magnum Photos collection with depictions of international conflicts, political unrest, and cultural life. Included are famous war photos from the Spanish Civil War and D-Day landings to wars in Central America, Afghanistan and Iraq, as well as unforgettable scenes of historic events: the rise of democracy in India, the Chinese military suppression of the 1989 Tiananmen Square protests, the U.S. Civil Rights movement, the Iranian revolution, and the September 11 terrorist attacks.

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Grad Research: MA student Ashlyn Davis releases book of photography of the American West

IsldandsSpread2We're pleased to announce that one of our MA students, Ashlyn Davis, has edited and published a book of photography with Bryan Schutmaat. Here's what Ashlyn has to say about the book:

The 44 images in Islands of the Blest depict various places in the American West and were taken over a one hundred year period, from the 1870s to the 1970s. The photographers included range from the completely unknown to some of the most distinguished practitioners of the medium--Timothy O'Sullivan, Dorothea Lange, and Russell Lee for instance. We scoured free public archives state by state for a year, pulling thousands of photographs and spent the summer editing them down to the version presented here. While there are some of the grand landscapes one expects to find in a text about the West, there are also images of its destruction and containment. The book is clothbound, printed on a thick newsprint, and includes a poem by Michael McGriff, a former Michener fellow.

For more information about the book or to purchase a copy, see the publisher's website here.

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