Alumni Voices, Undergrad Research Holly Genovese Alumni Voices, Undergrad Research Holly Genovese

Alumni Voices: Recent Grad Publishes Book on Austin Music in the '60s

Today we are thrilled to feature an interview with one of our recent graduates, Ricky Stein, who has published a book based on his undergraduate thesis, Sonobeat Records: Pioneering the Austin Sound in the '60s. We sat down with Ricky to discuss his book, his time in American Studies at UT, and what's next for him and his research on Austin music.

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What was the inspiration for this project?Music and musicology have always been what I go for. I grew up listening to all the great rock records and got endlessly interested in music. My other interest is in my hometown of Austin and its history. Austin has, I think, a history that you don't hear a lot about. It's not on par with some of the other major cities in the country, but it has a really nice little history. I was also interested in seeing how it went from being a sleepy college town, a settler's town, really, to this up-and-coming city on the rise known throughout the country. The thing with Sonobeat, well, that was a gift--it's amazing what can happen after one conversation. One minute I was working as an intern at KLRU and this guy says I should check out this website, Sonobeat Records, because he knew I was interested in Austin music. I checked it out and two weeks later got invited to participate in the senior thesis class taught by Dr. Janet Davis. I'm so glad I did that, because it dawned on me then that I had a chance to write about this local story.How did you go from writing an undergraduate thesis on Sonobeat Records to writing a book?It occurred really naturally. I am also a musician and worked for about ten years before going to college. For a long time I tried to get a record deal and then when I finally went to college the book just happened. I was so lucky, because it's a really good topic and people are interested in it, especially because Austin has become the music town it has become. When I interviewed one of the musicians who was in a band signed with the Sonobeat label he knew of a publisher, The History Press that does city and local histories. He got me in touch with them, and they read the thesis I had written. They liked it and asked if I could expand it, double it, basically. And we drew up a timetable and they drew up a contract, and it was too cool--a little less than a year later I expanded it into a book and now it's published.We had an event this past Sunday at Antone's Record Shop--there was a book signing, and we had one of the Sonobeat bands playing, The Sweetarts. I wish more students went to Antone's Records, because I always loved going there when I was at UT and I wish I got out there more. It has a perfect location, right by campus, and they specialize in these old records, the old vinyls. We're also doing a book signing this week at Waterloo Records on Thursday at 5:00.How did your work in American Studies prepare you to do what you are doing now?One of the things I really love about American Studies and one of the reasons I chose it as my degree was the interdisciplinary nature of it. It's like history meets anthropology, sort of. I'm a culture junkie; I love film and music and art and history and literature, and that's literally what I wake up thinking about in the morning. So American Studies spoke to me directly because it fit what I was interested in. I think the class I took that most stands out to me is Main Currents in American Cultural History, one of the courses that every American Studies student takes. We studied cities; the professor focused on studies of places like Chicago, New York, the Rust Belt, and we studies Los Angeles when we were talking about the twentieth-century rise of the Sun Belt from Los Angeles to Houston. I found that really interesting--the evolution of the American city--so that definitely had a big influence on writing the book. The broad scope of American Studies is great--there's a lot of room for research there.What's next for you?I have applied for the Texas State Historical Association conference. I'm on a team with a couple of grad students that is headed by Jason Mellard who is a really brilliant musicologist and American Studies professor at Texas State. He was a big help for me as I was working on the book, and his book on Progressive Country just came out from the University of Texas Press. My topic for the panel is the East Austin music scene, which you don't hear a lot about--the juke joints of the 1950s back when Austin was a segregated city. I'm not sure where the research will go, but I want to do as much research as I can and continue writing. I loved writing this book--the whole process was so cool and came so naturally. It's something I'm really proud of. So I hope to do more of that, and I am gearing up to apply to grad school and I want to be a professor of American Studies or History and read and write for as long as I can.

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Alumni Voices Holly Genovese Alumni Voices Holly Genovese

Alumni Voices: Kimberly Hamlin, Asst. Prof. at Miami University in Ohio

Today we have a new dispatch from Dr. Kimberly Hamlin, an alumna of our graduate program, who shares some fascinating and useful advice from her experiences at UT and beyond. Hamlin is assistant professor of American Studies and History at Miami University in Oxford, Ohio. Her first book, From Eve to Evolution: Darwin, Science, and Women’s Rights in Gilded Age America will be published in early 2014 by the University of Chicago Press.  For her article “‘The Case of a Bearded Woman’: Hypertrichosis and the Construction of Gender in the Age of Darwin” (American Quarterly, December 2011), Hamlin received the 2012 Emerging Scholar Award from the Nineteenth Century Studies Association. She completed her PhD in American Studies at UT in 2007.kh profile picHow is the work that you're doing right now informed by the work that you did as a student in American Studies at UT?Both my research and my teaching are very much informed by the work that I did in American Studies at UT. My book, which will be published in a few months, began as my dissertation. While there were many revisions along the way from dissertation to book, the central question remained the same: what did evolutionary science mean for women living in the nineteenth century when many gender roles were defined by the myth of Adam and Eve?My next book project, a biography of freethinking feminist Helen Hamilton Gardener – a woman who played a key role in the passage of the 19th amendment and later donated her brain to Cornell University to prove that women’s brains were not inferior to men’s—is also informed by my experiences at UT, not so much in terms of content but in terms of my desire to connect my scholarship to readers who may or may not be academics. One of the strengths of the AMS program at UT is that faculty encourage students to share their research beyond the academy and often model how to do this with their own research (here, for example, I am thinking about Professor Elizabeth Engelhardt’s work on barbecue).One of the great benefits of having gone to UT was the opportunity to teach my own courses for four years. Before I taught my own courses, I was not 100% sure if graduate school was for me, but as soon as I was able to design my own syllabus and spend a semester working through it with students, I knew I was in the right field. At UT, I served as a teaching assistant for two semesters, then I taught in the rhetoric department for several semesters, and, finally, I developed and taught several sections of a class in the American Studies Department (“Women in American Culture from Seneca Falls to ‘Sex and the City’”). The ability to teach while still in graduate school not only helped me prepare for life as a professor, it also allowed me to begin connecting my scholarship with my teaching at an early stage. For example, my dissertation project—and later book—actually grew out of a connection I made while preparing the course packet for my class on “The Rhetoric of Feminism.” In putting together this course packet of pro and con feminist arguments from the 1790s till the present, I noticed that nearly everyone writing prior to 1900 mentioned Eve. So, I wondered, what happened to feminist thought when Eve became optional as a result of the broad-based acceptance of evolutionary theory? The answers to this question form the basis of my forthcoming book.In addition, the reason that I have my particular job is very much because of the unique experiences I had in American Studies at UT. In the summer of 2006, when I had written exactly two chapters of my dissertation and was not planning on graduating till 2008, I saw a posting on H-Net for an American Studies scholar with an interest in “public culture.” At UT, I participated in several projects that promoted public history and public culture and knew that I wanted a job that would reward me for engaging with academic and non-academic audiences. For example, through a connection of Professor Shelley Fisher Fishkin’s (then at UT), I served as a research assistant on Ken Burns’s documentary on the national parks the summer after my first year. I also served as the assistant director of the Austin Women’s Commemorative Project which began as a Woodrow Wilson Foundation grant directed by Professor Martha Norkunas. And, finally, as a result of my master’s thesis on the origins of the Girl Scouts, I connected with Austin-area filmmakers Karen Bernstein and Ellen Shapiro and served as the historical consultant on their award-winning PBS documentary “Troop 1500: Girl Scouts Beyond Bars.” I think it is because of these “public” experiences that I got the job I have today.Do you have any words of wisdom or advice for students in our department about how to get the most out of their time here?When I was at UT, I often turned to my friend Matt Hedstrom for advice and generally followed his excellent example. So, since Matt wrote a list in answer to this question for his blog post, I will once again follow his example here. I guess this is also my first piece of advice:

  1. Seek out role models and mentors among the faculty, fellow students, and alumni. 
  2. Enjoy the graduate student lifestyle. I know this sounds odd to say when you probably feel very stressed, overworked, and underpaid. But, trust me, graduate school is a luxury in terms of time, if not money. Take advantage of the flexible schedule, the time for walks and contemplation, hanging out with friends, and reading all sorts of books just because they sound interesting.
  3. Make the most of all that UT has to offer, including but not limited to the American Studies Department. (One of my regrets is that I never went to a UT football game. Even though I do not really care about football, I should have taken advantage of those student tickets!) Many of the best experiences I had and closest friends I made while at UT came from outside the department. Teaching rhetoric was a terrific way to ease into the classroom (because before you apply to teach your own class you teach from a shared syllabus); working at the Writing Center not only improved my own writing but helped me become a better teacher of writing; the History Department’s Gender and Sexuality Symposium provided the core intellectual home for me while writing my dissertation; and working on the outside projects described in my answer above helped me imagine myself as a professional in this field and helped me attain my current position.
  4. Look for projects that can be researched at archives with travel funding. I was fortunate in that I was able to research my dissertation at the major women’s and gender history archives and that they all provided travel funding. So, to the extent possible, look for archives related to your general interests and see if they offer research or travel stipends.
  5. That said, do not look for “trendy” projects. Select a project that truly interests you and that you will be passionate about for the next 5-10 years. Besides, by the time you finish your dissertation/book, what is “trendy” will have changed.
  6. Now that I have also served on search committees, I am going to use a word that makes me cringe a little bit—look for ways to “credential” yourself. If you are interested in women’s and gender studies, for example, complete your certificate in Women’s and Gender Studies. Including on your CV that you completed this certificate program looks a lot better than writing that you are “interested” in women’s and gender studies. If there is a not-for-profit group connected to your research interests, try to connect with them; if you have a pretty solid seminar paper, present it at a conference; if there is an article or paper prize in your area, apply for it; etc. I wish I could just say do #5 (follow your interests), but in this tight job market candidates who do #5 and #6 generally fare much better.
  7. I think this one is actually the most important-- Take advantage of living in Austin! Odds are that the place you move next will not be as vibrant or exciting… or have as great food or music! (And the connections you make outside of UT may prove to be equally as helpful as those you make within the university.) So, please go for a walk around Town Lake and eat a breakfast taco and a gingerbread pancake for me!
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Alumni Voices Kate Grover Alumni Voices Kate Grover

Alumni Voices: Jason Mellard, History Lecturer at Texas State University

We're back this week with a feature on an alumnus of the American Studies Ph.D. program. Jason Mellard currently teaches history at Texas State University and recently (as in, this month!) published his first book, Progressive Country: How the 1970s Transformed the Texan in Popular Culture with the University of Texas Press. You can nab a copy here. Do it! (And, if you're in the Austin area, Threadgill's South will be hosting a book release party this Wednesday, October 30, at 6:00pm.)

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How is the work that you’re doing right now informed by the work that you did as a student in American Studies at UT?

I work with the Center for Texas Music History at Texas State University in San Marcos. Under Director Gary Hartman, we publish the annual Journal of Texas Music History, produce the short This Week in Texas Music History radio segments for KUTX, advise on the Dickson Series in Texas Music with Texas A & M University Press, and teach popular music courses in the Department of History and Honors College at Texas State.

The interdisciplinary habit of mind fits the Center’s broad audience quite well. We speak to musicologists, historians, record collectors, industry types, artists, and fans, all of whom have strong, but often divergent, affective investments in Texas Music. This requires the ability to pivot, to see the relevance of popular music history from each of their vantage points.  The conversations we seek to foster beyond the academy also involve a populist sentiment I feel to be deep in the American Studies vein. Janet Davis, Elizabeth Engelhardt, and Randy Lewis, among others, have modeled this sensibility in the department, one that dates back to our UT forebears in Henry Nash Smith, J. Frank Dobie, and Américo Paredes.

In teaching, I credit the wide latitude the department offered in allowing us to design and teach our own courses. In the spring I have the opportunity to return to the first class I ever offered at UT, “The 1970s in America: Revolution, Malaise, Reaction, and Sleaze.” I feel lucky that AMS gave me free reign to present students with the disorienting smorgasbord of disco, Patty Hearst, AIM, and Jonathan Livingston Seagull. And, it is likely that I never would have been in a position to teach it had not the department given the same freedom, years before, to Joel Dinerstein in developing his legendary “The History of Being Cool in America.” It was there I first learned of American Studies as a UT undergrad, and I continually endeavor to develop that same combination of curiosity, wonder, and critical acumen that UT-AMS faculty and grad students offer in the classroom, semester after semester.

Do you have any words of wisdom or advice for students in our department about how to get the most out of their time here?

Say “yes.” This is a tricky piece of advice, as I am only now reaching a place where I tell people to learn to say “no.” In grad school, though, I found it served me best to stay hungry. My dissertation and book project evolved from answering an Austin Chronicle open call to aid Threadgill’s proprietor Eddie Wilson in researching material for his memoirs. Saying yes also earned me a writing gig with UT AMS alum Farbrizio Salmoni’s magazine American West: La Rivista Italiana di Western Lifestyle, where I covered rodeo and Texas Music for a fervent Italian audience. Also know that there is a network of alumni locally, nationally, and internationally that wish for your success and the success of the department as a whole. Take advantage of these contacts to learn of the various possible career paths out of the graduate experience.

And, have a life outside of the university. In addition to cultivating the Italian rodeo circuit, I worked at a shoe store that sprung out of the Emo’s orbit and at Toy Joy’s short-lived vegan bakery. American Studies folks tend to be drawn to these opportunities of their own accord, but I just want to ratify the impulse. Do something that engages your physical and social intelligence to get you out of your head now and again.

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Alumni Voices Kate Grover Alumni Voices Kate Grover

Alumni Voices: Allison Wright, Editorial Staff for Virginia Quarterly Review

Golden_120812_1110_3167-EditToday, we'd like to share with you an interview with one of our recent Ph.D. graduates, Allison Wright. Allison is a member of the editorial staff for the Virginia Quarterly Review and also teaches in the Media Studies department at the University of Virginia.

How is the work that you’re doing right now informed by the work that you did as a student in American Studies at UT?

I am on the editorial staff of the nation’s leading literary journal. VQR has published the greatest novelists, poets, critics, and social scientists in America over its ninety-year history, and has received more National Magazine Awards than any other literary quarterly in the nation and more nominations than some well-known magazines (such as Rolling Stone and Esquire). Because of that, our standards are high and the level of expectation we place on ourselves requires a dedication that reminds me very much of graduate school.

On its face, much of what I did as a student in American Studies at UT may not translate to what I do on a daily basis--the work of editing and publishing a magazine. But the focused, intellectual work of graduate school prepared me for this job in a very real way. The nuts and bolts of putting together a magazine--writing, editing, copy editing, fact-checking, image selection--all draw on skills I honed in the American Studies program.

And of course teaching in the media studies department at the University of Virginia, where VQR is located, is a direct result of my time at Texas.

Do you have any words of wisdom or advice for students in our department about how to get the most out of their time here?

Look for opportunities outside of the department, and say yes as often as possible. In my last year at Texas, I taught writing for the College of Pharmacy and I was a lead teaching assistant for “Classics of World Poetry” and “The American Experience as told through Autobiography,” both of which were offered through the university’s School of Undergraduate Studies. I also served as a rater for the university’s accreditation effort, visiting a wide variety of classes and scoring student presentations. These brought diversity to my CV, and they helped me discern a career path.

Finally, something Steve Hoelscher, who was graduate advisor at the time, said to me during our first meeting back in 2003 bears repeating: Have a life. Meet people who aren’t in graduate school; spend time with them. Volunteer. Find a way to feel like you are making a contribution, however small. The results of those efforts will be transportable once you take your leave.

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